The 39 Best Shows on Netflix Right Now

Streaming services are known for having award-worthy series, but also plenty of duds. Our guide to the best TV shows on Netflix is updated weekly to help you know which series you need to move to the top of your queue. They aren’t all sure-fire winners—we love a good less-than-obvious gem—but they’re all worth your time, trust us.  

Feel like you’ve already watched everything on this list you want to see? Try our guide to the best movies on Netflix for more options. And if you’ve already completed Netflix and are in need of a new challenge, check out our picks for the best shows on Hulu and the best shows on Disney+. Don’t like our picks, or want to offer suggestions of your own? Head to the comments below. 

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Based on the novels of Leigh Bardugo, Shadow and Bone follows orphan Alina Starkov (Jessie Mei Li) as she learns she is the long-fabled Sun Summoner—the one person who may be able to disperse “the Fold,” a wall of shadow that has bisected the country of Ravka for decades. As Alina struggles to master her newfound abilities, she becomes the centerpiece in a deadly game as rival forces seek to control or kill her before she can change the world. With two eight-episode seasons to its name so far, Shadows and Bone builds a rich universe filled with compelling characters and interesting twists on fantasy staples, one perfect for fans of YA fiction or those who prefer the layered complexity of Game of Thrones.

Based on creator and lead actor Ryan O’Connell’s own life, Special follows aspiring writer Ryan Hayes as he navigates being both gay and disabled. After an article he writes about surviving a car crash goes viral, Ryan enjoys a surge of success—but also uses it to hide his cerebral palsy from new coworkers, blaming his limp on the accident. As the lies mount and the pressure builds, Ryan finds himself in increasingly awkward situations as he tries to maintain the illusion. Heartfelt, refreshingly authentic, and packed with brilliantly uncomfortable comedy throughout, Special is exactly that. With a tight two seasons—and the first, originally planned as a web show, has 15-minute episodes—it’s easily binged too.

As creator Charlie Brooker recently told WIRED, “Black Mirror wasn’t meant to be ‘this is what’s going on in technology this week.’ It was always designed to be a more paranoid and weird and hopefully unique show.” And that it is, but rather than displaying what’s going on in technology as it’s happening, the show has a way of beating its viewers to the paranoid punch, addressing dystopian anxieties before they even happen. (Black Mirror was talking about AI long before your mom ever heard of ChatGPT.) Netflix just released the sixth season of Brooker’s show, and if you haven’t watched, now may be the time. How else will you know what you’ll be worried about five years from now?

On the planet Etheria, Adora loyally serves the Horde, rising through its ranks with her close friend Catra by her side, until the discovery of a strange sword transforms her into the legendary warrior She-Ra. Learning the truth about the oppressive forces she’s served her whole life, Adora joins the Rebellion against the Horde—but can she really turn her back on everything she’s ever known? And will Catra ever forgive the betrayal? Developed by ND Stevenson—whose own Nimona is coming to Netflix as an animated film later in 2023—the modern She-Ra reimagines the 1980s classic, eschewing the original’s connection to He-Man and episodic structure in favor of its own unique mythology and long-form storytelling, packed with complex characters, high stakes, and some powerfully emotional moments. Perfect for fans of Avatar: The Last Airbender or The Legend of Korra, this dazzlingly animated five-season action-fantasy is as compelling for older fans as it is younger viewers—and some of the best LGBTQ+ representation to be found in any medium doesn’t hurt either.

A prequel spin-off to Bridgerton—the Shondaland-produced Regency era historical romance that continues to break Netflix viewership records—Queen Charlotte takes viewers back to 1761, exploring how a young Charlotte (India Amarteifio) meets and marries George III (Corey Mylchreest). In typical Bridgerton fashion though, there’s far more going on than a period love story, with the spirited Charlotte initially trying to escape the arranged marriage before learning to navigate the corridors of power—and manage George’s deteriorating mental health. Interspersed with scenes in Bridgerton’s “present day” 1817, where the now-formidable stateswoman Queen Charlotte (a returning Golda Rosheuvel) deals with a succession crisis to the throne, this limited series is compulsory viewing for fans of the series, and a great entry point for anyone yet to be wooed by its charms.

Netflix screwed up the pitch on Disenchantment. Coming from The Simpsons creator Matt Groening, it was presented as the opposite of his show Futurama, lazily swapping sci-fi for fantasy. Go in with that expectation and you’ll be disappointed—this is instead a far more structured and arc-based show. It’s set in Dreamland, where drunken troublemaker Princess Bean yearns to be free from her royal obligations. With the aid of her personal demon Luci and a besotted elf bestie named Elfo, she might just escape—but their efforts will flip the kingdom on its head, unearth secrets of Bean’s past, and take them to hell and heaven and back again. A far cry from the episodic, gag-a-minute approach of its creator’s predecessors, Disenchantment can be a bit of a slow burn at times, but with its drier comedy and refusal to stick to any status quo, it’s one of the most interesting American adult animated comedies in years.

By the waning years of the 21st century, a comet strike has all but wiped out humanity, while pollution has gotten so bad that even breathable air is a rarity. In what remains of Korea, the all-powerful Cheonmyeong Group controls everything, forcing the poor to serve as couriers delivering resources to the privileged rich, isolated away from the desert wasteland the surface has become. Yet one courier, the legendary and enigmatic “5-8” (Kim Woo-bin), is on course to deliver a revolution. With dashes of Mad Max, The 100, and even Hideo Kojima’s bizarre sci-fi courier game Death Stranding, Black Knight will be familiar to fans of the postapocalyptic genre. But its thrilling chases, brutally well-choreographed fight scenes, and darkly beautiful scenery make it compelling viewing, while its class and governance themes provide some depth beyond the spectacle.

Jefferson Grieff (Stanley Tucci) is a former criminology professor on death row for killing his wife, telling his story to a journalist named Beth (Lydia West). Harry Watling (David Tennant) is an unassuming English vicar, tending to his parishioners. The two men are a world apart—until a horrific misunderstanding leads to Watling trapping a friend of Beth’s in his basement. As Watling’s situation and mental state deteriorate, Beth turns to the killer for help finding her friend. Created and written by Stephen Moffat, this tense transatlantic thriller has just a dash of The Silence of the Lambs, and with a cast at the top of their game, it’s gripping viewing. Best of all, its tight four episodes mean you can binge it in one go.

They’re baaaaaack! After what feels like far, far too long, the Fab Five return for another dose of more-than-a-makeover magic. Season 7 sees Karamo, Jonathan, Bobby, Tam, and Antoni bringing their unique skills to New Orleans, where they help a frat house clean up their toxic masculinity, revive stagnant relationships, and teach a teacher to love herself as much as her students—and that’s just a taste. Prepare to ugly-cry all over again.

If there’s a West Wing-shaped hole in your life, look no further than The Diplomat—a tense geopolitical thriller elevated beyond the norms of the genre by a superb central performance by The Americans’ Keri Russell as Kate Wyler, newly appointed US ambassador to the UK. Far from being an easy assignment in a friendly country, Kate’s role coincides with an attack on a British aircraft carrier, leaving her to defuse an international crisis before it escalates into full-blown war. It’s a job that might go easier if her own special relationship with husband Hal (Rufus Sewell) weren’t fraying, as his resentment at being demoted leads him to interfere in her efforts. One of Netflix’s biggest hits of 2023, The Diplomat has already been renewed for season two.

Based on the comic book by Jeff Lemire, Sweet Tooth is set 10 years after “The Sick,” a viral pandemic that killed most of the population and led—somehow—to babies being born with part-human, part-animal characteristics. The first season follows Gus, a half-deer hybrid boy who leaves the wilderness in search of his mother, and “Big Man” Tommy Jeppard, a grizzled traveler who becomes his reluctant guide, protecting him from surviving humans who hate and fear the hybrids. The newly dropped second season takes things into darker territory, merging Gus and Jeppard’s path with the once-disparate storyline of Aditya Singh (Adeel Akhtar), a scientist researching the origins of The Sick—and its connections to Gus. Part sci-fi, part fantasy, part mystery, Sweet Tooth offers viewers a postapocalyptic dystopia unlike any other.

Premiering on Netflix back in 2018, The Dragon Prince has had something of a slow-burn journey to cult favorite status—not helped by lower-frame-rate animation in its first season—but this sharp fantasy has more than earned its devoted fan base. Set in a fantasy world where humans, elves, and dragons have lived apart for centuries, the show’s first three-season arc follows human half-brothers Ezran and Callum as they are drawn together with elven assassin Rayla to return the last dragon egg to safety. Co-created by Avatar: The Last Airbender’s Aaron Ehasz, this ventures into similarly mature territory as it progresses, navigating themes of war and loss while brilliantly developing an expansive cast of characters. With its second multi-season arc—The Mystery of Aaravos—underway now, there’s no better time to dip into this rich universe of magic and myth.

In Victorian England, Jonathan Joestar clashes with his deranged adoptive brother Dio Brando, starting a centuries-long feud that will sweep the globe. This is no mere tale of warring clans, though, as Dio’s dabbling with dark forces sees him returning over the eras to plague Jonathan’s decendents anew. Luckily, each generation of the Joestar family has a champion (each with a name that can be trimmed to JoJo) to rise to the challenge, mastering arcane abilities of their own—notably summoning ghostly giants known as Stands—to combat Dio and a host of other supernatural threats across the ages. Original creator Hirohiko Araki drew influence from Western rock music and high fashion for his saga, which combine with exagerrated physiques and hyperkinetic action to make this anime adaptation visually and tonally unique. The decision to focus each season on a different era also makes for a surprisingly digestible viewing experience, despite the scope. Honestly, Jojo’s Bizarre Adventure is nonsense at times—but such hyper-stylish nonsense that you’ll easily be swept up in the madness. Just remember, the key word in the title is “bizarre”!

Based on the novels of Caroline Kepnes, You is an often deeply disturbing tale of obsession. The first season follows Joe Goldberg (Penn Badgley), a bookstore manager in New York who falls in deranged love at first sight with aspiring author Guinevere Beck (Elizabeth Lail), while the second sees him relocate to Los Angeles, where heiress Love Quinn (Victoria Pedretti) becomes the focus of his attention. However, as their twisted relationship evolves, Love proves to have dark desires of her own. Often shocking, You is a gripping thriller that hits the same sinister sweet spot as early (read: good) seasons of Dexter.

It’s a few years old at this point, but Netflix’s update of the classic 1960s sci-fi show is one of the rarest entries on the service now—a genre show that the streamer can’t cancel after one season, because it’s already completed its three-season run. That means you can settle in to this glossier take on the Robinson family and their desperate attempt to survive on an alien planet without fear of a permanent cliffhanger or a never-coming conclusion. The stakes are far higher in this reboot though, with the Robinsons trapped on a dangerous alien world after an attempt to evacuate a doomed Earth goes disastrously wrong. Stranded, with no way to reunite with the colony mission they were once part of, the family’s fate may rest with a strange robot befriended by youngest son Will—but unlike in the original show, this robot caused the disaster that stranded them. With less saccharine family dynamics than the original, less camp (with the arguable exception of Parker Posey, stealing scenes as the nefarious Dr. Smith), and a more ambitious long-form story stretching across its three seasons, Lost in Space is a strong update for modern viewers.

If you’re pining for more Killing Eve, this German thriller may be the next best thing. Set in the late 1980s and early ’90s, the eight-part series follows the eponymous Kleo (Jella Haase), a Stasi assassin imprisoned by her agency on false treason charges. Released after the fall of the Berlin Wall, she seeks revenge on her former handlers—but West German detective Sven (Dimitrij Schaad), the only witness to her last kill, may have something to say about that. As dark and violent as you’d expect given the period and the themes of betrayal and vengeance, Kleo is lightened by its oft-deranged sense of humor and a charismatic lead duo who brilliantly bounce off one another. In late 2022, Netflix confirmed that there would be a second season, so now’s a perfect chance to catch up.

A spiritual successor to the likes of Gladiators, with a dash of Squid Game thrown in for good measure, this Korean reality show puts 100 contestants who are “in top physical shape” through a series of grueling challenges, and the last one standing wins a significant cash prize. Unlike previous endurance shows, though, Physical: 100 sees men and women compete together, with an international roster chasing glory. The only limit? Their own ability. The inventive challenges—including the sheer spectacle of dragging a fully loaded ship weighing 2.2 tons across a sand-filled arena—are awe-inspiring, and the psychological drama of rivals having to form teams to progress is engrossing. But what’s most impressive is the sheer feats of human ability on display, even as competitors are eliminated over the course of each roughly hour-long episode. The worst part? You’re definitely going to feel you need to up your workout goals after seeing this.

“A heist 25 years in the making” is how Netflix hypes this ambitious crime drama, following master thief Leo Pap (the ever-watchable Giancarlo Esposito) and his crew’s effort to steal a staggering $7 billion haul. However, that doesn’t quite do Kaleidoscope justice. It’s not just the audacity of the crime that impresses, or how the show weaves in and out of its cast’s lives over the quarter century leading up to, and shortly after, the heist itself, but the fact that you can watch the eight-episode season in any order. Netflix has dabbled with interactivity in the past, with game-like special episodes or spinoffs of popular shows, but Kaleidoscope takes that idea to a new level, with an almost Choose Your Own Adventure approach that offers a unique experience for every viewer. The unusual format is admittedly part of the charm—as a linear crime drama, it might not have the same appeal—but Kaleidoscope truly feels like something new on the platform, and with a possible 40,320 viewing orders, it’s worth at least one.

When slacker Ryohei Arisu (Kento Yamazaki) is mysteriously transported to a deserted Tokyo, his keen gaming skills give him an edge navigating a series of lethal games that test intellect as much as physical prowess. Yet after barely scraping through several rounds, Arisu is no closer to uncovering the secrets of this strange borderland, or to finding a way home—and the stakes are about to get even higher. Not only are Arisu and his allies Usagi (Tao Tsuchiya), Kuina (Aya Asahina), and Chishiya (Nijiro Murakami) faced with another gauntlet of sadistic games, but they find themselves caught between rival card suit “courts” vying for power—and not everyone can be trusted.

With its willingness to kill off main characters at a moment’s notice, the first season of this gripping adaptation of Haro Aso’s manga kept viewers on tenterhooks throughout. As the long-awaited second season leans further into its twisted Alice in Wonderland imagery, expect more shocking developments in this taut thriller.

After a minor indiscretion at her “normie” school—releasing flesh-eating piranhas into a pool of swim-team bullies—the dismal doyenne of the Addams Family is sent to the imposing monster boarding school of the Nevermore Academy. Initially desperate to escape the horror high school cliques—goths are vampires, jocks are werewolves, and stoners are gorgons—and her alarmingly peppy roommate, Wednesday is soon drawn into a prophecy dating back decades, and a murder mystery that incriminates her own family.

It’s easy to see the influences—Wednesday is equal parts Chilling Adventures of Sabrina, Riverdale, and Smallville (no surprise, given that it’s created by the latter’s Alfred Gough and Miles Millar)—but it’s all elevated by Jenna Ortega’s brilliantly macabre and deliciously deadpan performance as Wednesday herself, not to mention the visual sensibilities of director Tim Burton. With a phenomenal supporting cast, including Catharine Zeta-Jones and Luis Guzmán as Morticia and Gomez Addams; Fred Armisen as deranged Uncle Fester; Gwendoline Christie as Nevermore’s Principal Weems; and the cinematic Wednesday Addams, Christina Ricci, as a botany teacher, this latter-day Addams Family spinoff is a post-Halloween treat.

Let’s be honest: Animated series based on video games often run the gamut from cheap cash-ins to half-decent if forgettable tie-ins, inaccessible to anyone but hardcore devotees. In contrast, Arcane stands apart from the crowd by making its connections to Riot Games’ League of Legends almost optional. While its central figures, orphaned sisters Vi and Jinx, are playable characters in the game, viewers don’t need foreknowledge of their story to enjoy this steampunk saga of class war, civil uprising, and the people caught in between. With a gorgeous painterly art style, strong characters, and frequently shocking story beats, Arcane defies its origins to become one of the best animated series in years—and it has racked up plenty of awards, including a Primetime Emmy for Outstanding Animated Program, to prove it.

The Sandman is one of the most beloved comic series of the past 40 years. A dark fantasy about dreams, reality, stories, and the mercurial relationship between them, Neil Gaiman’s books have endured as essential reading for goth teens and literati alike. While attempts to bring the saga of Dream of the Endless—sometimes known as Morpheus, immortal embodiment and master of the nightlands, fierce and terrible in his wrath—to the screen have been underway practically since the comic debuted in 1988, this long-in-development Netflix adaptation is worth the wait. It’s a perfect translation of the first two graphic novels in the series and follows Dream (a sombre and imposing Tom Sturridge) as he restores his power and kingdom after being held in captivity for a century by occultists who snared him instead of his sister Death (Kirby Howell-Baptiste). Fittingly, the show has a dreamlike pacing to it, blurring the lines between episodic narratives and longer arcs, and it is as likely to leave viewers crying over a gargoyle’s fate as it is to shock them with the sadistic actions of an escaped nightmare-turned-serial killer named the Corinthian (Boyd Holbrook). The Sandman’s journey to the screen might have been the stuff of restless nights, but the result is a dream you won’t want to wake up from.

Adaptation: a word that here means “perfectly translating a deliciously dark series of young adult novels to a visual medium without sacrificing any of the otherworldly strangeness of the source material”—right down to the carefully considered dialog and fourth-wall-breaking bookends delivered by Lemony Snicket himself (or, if you’re picky, Patrick Warburton). Netflix’s take on Snicket’s 13-book series is a spectacular accomplishment, telling the full saga of the desperate Baudelaire orphans—Violet, Klaus, and baby Sunny—as they repeatedly escape the machinations of the foul Count Olaf (a scene-stealing Neil Patrick Harris) in the wake of their parents’ suspicious deaths. Forget the truncated 2004 movie version—this three-season masterpiece is the definitive vision of Snicket’s macabre world.

Developed by Deadpool director Tim Miller, Love, Death + Robots is perhaps Netflix’s most daring animated offering to date. In this anthology series, where the only common thread is each episode’s unique interpretation of that eponymous trio of themes, viewers are treated to wild concepts that include deadly gladiatorial twists on Pokémon-style beast battles, sentient yogurt, super-powered exoplanetary colonists, and adorable robots that have outlived humanity only to be confused by the world we’ve left behind. Wildly experimental, Love, Death + Robots isn’t afraid to play around with animation styles and genre, allowing a phenomenal roster of creators—including David Fincher, making his animation directing debut—freedom to tell whatever stories they want. The show is brimming with ideas and practically vibrating with visual energy, and you never know what you’re going to get—which is half the fun.

After preventing the apocalypse and getting trapped in the 1960s, the dysfunctional adoptive siblings of the Hargreeves family find themselves back in the present and face-to-face with … the Hargreeves family. Turns out, messing with the space-time continuum can have unforeseen effects, like your abusive-father-figure-slash-mentor adopting seven different superpowered infants instead of you. Being trapped in an alternate timeline isn’t the worst of it though—there’s the small matter of a Kugelblitz about to destroy reality to contend with. This third season is where The Umbrella Academy overtakes the original comics (created by My Chemical Romance lead singer Gerard Way and artist Gabriel Bá), meaning viewers who are coming in fresh and those who’ve read every panel of the source material are equally in the dark about where this season will take them—and how weird things are about to get.

Netflix’s nostalgic sci-fi/horror series is back for its fourth season, set six months after the Battle of Starcourt and with its core cast separated for the first time. The Byers family and Eleven are off in California, Hopper is still (somehow) in a Russian prison, and the remaining crew are home in Hawkins, Indiana, about to face down a terrifying new threat—high school. Oh, and another incursion from the horrific Upside Down. The Duffer Brothers continue to offer up plenty of 1980s nostalgia for viewers who grew up on a diet of Spielberg, Lucas, and Craven, while upping the stakes with a significant new threat. Expect drama, scares, and—of course—plenty of Dungeons & Dragons as the cult show roars toward its fifth and final season.

In Russian Doll, Nadia has one very big problem: Time keeps breaking around her. Season one finds Nadia—played by Natasha Lyonne, who is also a cocreator on the show—dying at her own birthday party, only to wake up there over and over again, trapped in a Groundhog Day-style loop until she can unravel her personalized knot in the space-time continuum. Things only get stranger in season two, where Nadia finds herself traveling back in time to 1982 and inhabiting the body of her own mother—currently heavily pregnant with Nadia herself. Both seasons are funny and thought-provoking, reflecting on personal and generational trauma, all without overegging the potential for philosophical musing.

One of Netflix’s first big successes remains one of its best shows. This seven-season prison drama initially follows Piper Chapman (Taylor Schilling) as she is sent to Litchfield Penitentiary for a drug-smuggling offense, but it soon blossoms into a show about the lives and circumstances of the people she’s incarcerated with—a cast that includes Kate Mulgrew, Laverne Cox, Uzo Aduba, and Russian Doll’s Natasha Lyonne. Ostensibly a dramedy, OITNB gets progressively more serious, exploring issues of race, justice, corruption, and the flaws of the entire prison system while never feeling preachy. Challenging at times, but never less than utterly absorbing.

The brainchild of Friends cocreator Marta Kauffman, this sharp sitcom features Jane Fonda and Lily Tomlin as the titular characters, longtime acquaintances forced to live together after their husbands leave them late in life—for each other. Grace and Frankie follows this contemporary Odd Couple as they deal with their ex-husbands’ coming out, their adult children’s drama, and each other’s maddening personalities, all while building a genuine friendship and proving to themselves and the world that age is just a number. Taking cues from Arrested Development, Grace and Frankie’s chief comedic currency is awkwardness, as the extended families—the rich, business-minded Hansons and the borderline hippie Bergsteins—unpack their neuroses while navigating adult familial relationships. Think of it as a modern-day Golden Girls—just with more swearing and drug use. All seven seasons are now available to binge.

Based on a film of the same name, Dear White People is a Netflix Original comedy that follows a group of American students of color who attend a mostly white Ivy League college. It covers largely the same ground as the film, but in series format each episode tells the story of a different character, diving deeper into their lives and individual personalities. There are also some laughs along the way. The show was originally released in 2017, and the fourth season debuted in September 2021.

Produced in Korea, Squid Game blends Hunger Games and Parasite with a battle-royal-style contest. Hundreds of desperate, broke people are recruited to a contest where they can win enough money to never need to worry about their debts again. All they have to do to win the ₩45.6 billion ($35.8 million) jackpot is complete six children’s games. But it’s not that simple: All the games have a twist, and very few people make it out alive. Squid Game is intense, brutal, and often very graphic, but it is also completely gripping. Netflix’s dubbing isn’t the best in this instance, but the nine episodes are compelling enough to make up for it.

Don’t watch this when you’re hungry. Each episode of this mouth-watering series goes into the kitchen of one of the world’s top chefs for an intimate look at the person behind the plates. Chef’s Table is the perfect way to get inspired about food—and creative passion—and there are six seasons to sink your teeth into. The most recent of these includes Sean Brock, who is dedicated to reviving lost flavors, and Tuscan butcher Dario Cecchini, who is trying to change how the world thinks about meat. If you really want to excite your taste buds, season four is entirely dedicated to pastry.

Arsène Lupin, the belle epoque burglar created by French novelist Maurice Leblanc in the early 1900s, is reinvented as Assane Diop, a first-generation Frenchman with a mania for Lupin books and a grudge against the powerful forces who decades ago framed his father for a theft he didn’t commit—and led him to die in prison. Pairing drones, social media bots, and hacking skills with traditional tools of the trade like fake beards, picklocks, and quick wits, Diop hunts down his adversaries as he searches for the truth about his father’s fate. In his spare time, Diop also tries to patch together a crumbling marriage and build a better rapport with his son. Worth watching in the French original, this five-episode series’ strength lies in the dialog, the character development, and the charismatic performance of Omar Sy as Assane. The actual escapades and daring heists are beautifully choreographed, but a lot of the mechanics—how a certain piece of legerdemain worked, when an impenetrable building was infiltrated—are left to the viewer’s imagination. 

From executive producer Shonda Rhimes comes a period drama that also happens to be Netflix’s most-watched series ever. Bridgerton is set during the Regency period in England and follows the powerful Bridgerton family as they navigate love, marriage, and scandal. Incredibly entertaining, the show is based on a series of novels, each of which focuses on a different Bridgerton sibling. The first series follows eldest sister Daphne (Phoebe Dynevor) and her turbulent marriage to one of London’s most eligible bachelors, Duke Simon Basset (Regé-Jean Page). The second season explores the relationship between Daphne’s brother Anthony (Jonathan Bailey), the woman he chooses to marry, and the family and societal dramas this sets in motion.

This miniseries chronicles how Madam C. J. Walker went from widowed laundress to hair care mogul, becoming America’s first female self-made millionaire in the process. Based on the book On Her Own Ground, by A’Lelia Bundles, Walker’s great-great-granddaughter, the series provides a window into the life of African American women in the early 1900s. Academy Award–winning Octavia Spencer, who stars as the titular heroine, fights to overcome post-slavery racial biases and find her place in a male-dominated capitalist system.

Jason Bateman fans got used to seeing him as a sad-sack goof when he played Michael Bluth in Arrested Development. On Ozark, he reveals a whole new side, playing financial advisor Marty Byrde, who finds himself relocating his entire family from a Chicago suburb to the Ozark mountains in Missouri. The reason? He got involved with a money-laundering scheme for Mexican cartels that he’s having trouble disentangling from. The atmosphere, heavy with suspense, guilt, and trouble-making drug lords, is reminiscent of Breaking Bad. It’s one of Netflix’s most popular shows, and with its fourth and final season complete, now is the perfect time to dive into this murky but gripping world.

Although it has a distinctly American vibe, with jocks, a capella groups, and mean girls, Sex Education is set in the UK and filmed in Wales. Asa Butterfield stars as an awkward teenager who starts giving sex counseling for money, and Gillian Anderson is captivating as his (actually qualified) sex therapist mother. While the titular topic is often a source of comedy, Sex Education also explores issues related to intimacy and identity in a smart and relatable way.

Netflix Original The Witcher is, by objective critical standards, not particularly good. But as binge-worthy escapist enjoyment, it’s an absolute triumph. Based on a Polish fantasy literature franchise that gained global popularity following its successful video game adaptation, the series follows Geralt of Rivia (Henry Cavill), whose occupation as a mutant “witcher” has him slaying monsters for money. Our beefy, gravel-voiced hero finds himself caught up in a bigger plot, however, as his destiny becomes entwined with an orphaned princess on the run and a powerful sorceress testing the limits of her abilities. With its restrained dialog, monster violence, and discombobulated timeline, the series sometimes feels more like a mashup of video game cutscenes than a cohesive dramatic narrative—but it works. The Witcher recognizes that viewers don’t always want their ridiculous fantasy shows to be too high-brow and are mainly there to see some cool magic effects and sexy Geralt in the bath (surprising exactly no one, there is plenty of gratuitous female nudity too).

If you like your TV moody and brooding, the sci-fi series Dark is for you. The first German-language Netflix Original series (there’s an option for English dubbing, though the undubbed version is superior), Dark opens with a secret liaison, a missing teenager, and a spooky-looking cave, which sets the vibe for the rest of the show. What initially appears to be a straightforward mystery investigation soon turns into an ambitious time travel plot with plenty of atmosphere. A tight 26 episodes are spread over three seasons, and the more you watch, the more you see how appropriate the title is.