What It Would Really Take to Have an American Civil War

This week Donald Trump was put on trial by a liberal prosecutor on what seems like the most nakedly political of the multiple charges that he’s facing. To protest this outrage against their glorious leader, the MAGA faithful gathered outside the New York courthouse in the thousands, ready to storm into the halls of justice … well, perhaps in the hundreds, ready to get in the face of Trump’s legal persecutors … well, no, actually it was a few dozen Trump supporters, waving signs and outnumbered by the gawking press.

This fairly pitiful scene made an interesting accompaniment to the country’s biggest movie at the moment, Alex Garland’s “Civil War,” which depicts a version of contemporary America riven by civil strife, with various secessionist forces at war against a dictatorial president who’s stayed on for a third term.

That president is clearly a Trump-like figure, but the movie is extremely light on politics; it’s mostly interested in juxtaposing scenes of brutality — mass graves, tortured prisoners, firefights and summary executions — with the familiar American landscapes of shopping malls, carwashes and the pillars of the White House. We aren’t supposed to ask for detailed how-we-got-here explanations; we’re just supposed to meditate on how easily It Could Happen Here.

Some people who like “Civil War” find the political lacuna admirable, since it cuts the movie free from current ideological preoccupations and lets us take the antiwar message straight.

Some people who dislike the movie — I am one of them — think that the underexplanation is a total cop-out, making civil strife seem like a natural disaster or a zombie apocalypse, when in reality it usually represents the extension of politics by awful but reasonable-seeming means. If you refuse to give those reasons, to explain how exactly the politics of today’s America could yield our own version of 1990s Yugoslavia, you haven’t actually made a movie about an American civil war; you just have war as a generic signifier that happens to have strip malls and subdivisions in the background.

This objection is weaker the more the path to a second U.S. civil war seems self-evident. If you think we’re obviously teetering on the brink of such a disaster, it’s easier to accept a work of art that imagines us tipped over.